is a creative universe of sculpted clay creatures, therapy‑inspired sketches, and quirky lore. Blending humor with heart, this brand invites fans to explore monster stories across TikTok, Instagram,
and YouTube. where chaos, community, and clay come together.
Come Join the Family

About us
Monsters….
A modern homage to the legends Frankenstein, Dracula, the Mummy and their kin reimagined in playful, clay‑born lore.”


Classic vs new
Hand‑sculpted clay creatures made of SuperSkulpey and dry brushed painted, brought to life with AI, blending tradition and technology into a living universe.
Meet The monsters….
The first sculture that started it all….
a.k.a. Frankenstein’s Monster
“Born from Mary Shelley’s gothic imagination, FrankyBoy is stitched together with humor and heart. In the Family of Little Monsters, he’s less terrifying and more relatable, clumsy, funny, and always working through therapy sessions about self‑acceptance and creative failure.”


Meet The Crew
“Bram Stoker’s (1897) vampire reimagined as the eternal outsider. He’s not about bloodlust anymore he’s about boundaries. Narcissistic, charming, and lonely, Little Dracula’s therapy sessions are basically group chats about ghosting and self‑esteem.”
The Cast….
“Wolfie even called, Werewolf or the little hairball is the lovable hot‑and‑cold member of the family. By day he’s calm, approachable, even cuddly, but when the moon rises, so do his issues. Therapy sessions focus on impulse control, rage, and the comedy of trying to keep your inner beast on a leash. He’s proof that sometimes the scariest monster is just your temper in disguise.”First Appearance: Rooted in European folklore (earliest written mentions c. 11th century); popularized in cinema with The Wolf Man, 1941


Meet The Crew
Little Phantom of the Opera (1910)
“Mask on, drama dialed up to 11. The Phantom hides behind obsession and social anxiety, but in this family he’s more about karaoke fails than opera tragedies. Therapy theme: rejection issues and the fear of being truly seen.”
First Appearance: Le Fantôme de l’Opéra by Gaston Leroux, serialized 1909–1910, novel published 1910
The Cast….
The Zombie archetype.. the undead etc.
“Brains, likes, validation—ZBoy wants it all. He’s the compulsive over‑sharer of the family, representing addiction and boundary issues. Therapy sessions often end with him craving snacks he doesn’t need… and attention he definitely doesn’t deserve.
First Appearance: Haitian folklore (term “zombi” recorded 1819); popularized in film with Night of the Living Dead, 1968.. followed by lots of movies and the series Walking Dead…


Meet The Crew
Egyptian origins c. 2600 BCE / film 1932
“Forever wrapped in the past, Little Mummy clings to old bonds and fears abandonment. His therapy theme is attachment disorder—he’s proof that sometimes you need to unwrap yourself to move forward… preferably without unraveling completely.”
The Cast….
“Half fish, half misunderstood extrovert with ADHD. Lagoonie SLIMES between worlds, battling social anxiety and alienation and cannot sit still. Therapy theme: belonging. He’s proof that even amphibians need hugs… preferably not too damp.”• First Appearance: Universal film Creature from the Black Lagoon, 1954


Meet The Crew
“Dr Grey is the family’s resident extraterrestrial. He’s forever caught between worlds: too strange for humans, too curious for monsters. His therapy sessions spiral into conspiracy theories, mistrust, and the fear that everyone’s watching him… except when they’re not. He embodies alienation, paranoia, and the hilarious struggle of trying to fit in when you’re literally from another planet.”
The Cast….
Mr Black (Grim Reaper, folklore since 14th century)“Death, but make it funny. Mr Black is the quiet one in the corner, cloaked in existential depression. Mr Black represents endings and transformation. He reminds us that endings can be punchlines too and that even shadows deserve a seat in therapy. His therapy arcs remind us that even shadows belong in the family, and that laughter often hides in the darkest places.”First Appearance: Personification of death in European art since the 14th century, popularized as “Grim Reaper” in the 19th century


Meet The sculptures
“These aren’t just characters they’re hand‑sculpted misfits born from clay, paint, and late‑night imagination. Each monster starts as a lump of SuperSculpey, gets dry‑brushed into life, and then photographed like the divas they are. What you see here are the real faces of therapy: crooked stitches, lopsided grins, and eyes that know too much. Proof that even monsters look better in good lighting.”